The class featured weekly lectures by faculty fellows of UCI’s Center for the Neurobiology of Learning & Memory, including world-class neuroscientists James McGaugh, Gregory Hickok, Elizabeth Loftus, and Michael Yassa. They addressed topics such as how to efficiently “create” memories for characters, how characters would realistically respond to onstage stimuli based on these memories and how to manipulate emotions physiologically – for instance, hanging the head and starting to cry. McGaugh, who minored in drama in college, has studied the neurobiology of learning and memory for more than 60 years. He compares Ihrig’s technique to absorbing the meaning of a song before singing the words – it enriches the experience for both singer and audience. The students put the advice into practice, doing exercises each week designed to apply neurological principles to characters onstage and reverse-engineer human behavior. They spout monologues at each other, craft perfect facial expressions and come up with plausible memories for their dramatic personas. At the end of the course, as a final exam, the students will write and act their own roles, animated with memories and emotions they have invented, in hopes that their performances will exhibit greater depth and honesty.

作为在加护病房的最具创新性的课程之一，它具有平均相当瞩目包括场馆，包括覆盖UCI网站的头版，以及网站的手机澳门新莆京的手机澳门新莆京和新闻文章新闻报道写的橘郡纪事报和时代的天使。课程丰富了学习经验值得注意的是无论是对教师和教师为学生。我们现在 本课程扩展到一个完整的简历，通过继续教育科，以满足专业演员和其他专业人士可以受益于学习WHO如何创建身临其境的体验。该CNLM现在随着合作的继续教育的部门建立一个新的“演员的实验室”与性能相关的生理参数的评估，并通过创建可被优化这些反应或增强的新方法。